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There’s only two kinds of people in the world. There’s women, and there’s men. Summer Finn was a woman. Height: average. Weight: average. Shoe Size: slightly above average. For all intents and purposes, Summer Finn: just another girl. Except she wasn’t. To wit, in 1998, Summer quoted a song by the Scottish band Belle & Sebastian in her high school yearbook. “Color my life with the chaos of trouble…” The spike in Michigan sells of their album “The Boy with the Arab Strap” continues to puzzle industry analysts. Summer’s employment at the daily freeze during the summer of her sophomore year coincided with an inexplicable 212% increase in revenue. Every apartment Summer rented at an average rate of 9.2% below market value, and her roundtrip commute to work averaged 18.4 double-takes per day. It was a rare quality, this “Summer effect.” Rare, yet something every post-adolescent male has encountered at least once in their lives. For Tom Hanson to find it now in a city of 400,00 offices, 91,000 commercial buildings, and 3.8 million people, well that could only be explained by one thing: fate.

500 Days of Summer (2009), Marc Webb